A powerful display of cultural unity unfolded on the Yakshagana stage in Mangaluru on October 20, 2026, as Muslim artist Arshiya Khan captivated audiences with her portrayal of the eight-armed Goddess Sri Devi. Performing at the Rajangana of Kadri Sri Manjunatha Temple, her appearance in the 'Sampoorna Sri Devi Mahatme' prasanga was a poignant reminder of coastal Karnataka's inclusive artistic traditions.
Known on stage as Tanu Vitla, Arshiya hails from Mada near Vitla in Bantwal taluk, Dakshina Kannada. Her fascination with Yakshagana began in childhood, watching local performances. By age nine, while in Class 4, she started formal training. Her parents, retired deputy tahsildar Abdul Khader and Mumtaz, actively encouraged her passion. This early interest blossomed into a 12-year stage career.
Under the tutelage of Yakshagana guru Kadri Ramesh Bhat, Arshiya is associated with the Kadali Kala Kendra, situated within the Kadri temple premises. For her recent role as the eight-armed Sri Devi, depicted holding weapons and vanquishing evil, she adhered to strict vegetarianism and observed specific vows, acknowledging the sanctity of the divine character. She considers the opportunity a blessing from Ullalthi Durgaparameshwari, expressing gratitude for the support from art lovers. Her previous roles in 'Devi Mahatme' include both demon characters like Shumbha and Nishumbha, and divine figures such as Aadimaye and Sri Devi.
This significant performance was part of the 14th annual Kadali Dashaha, a 10-day Yakshagana festival organised by Kadali Kala Kendra. Held at the Kadri Sri Manjunatha Temple's Rajangana from October 11 to 20, the festival concluded with 'Sampoorna Sri Devi Mahatme'. Renowned Tenkuthittu troupes, including artists from Kateel and Pavanje, also participated. Yakshagana, deeply woven into coastal Karnataka's fabric, has a long history of uniting people across diverse backgrounds. The region famously celebrates the Bappanadu Kshetra Mahatme, a prasanga embodying Hindu-Muslim harmony. Arshiya Khan's latest performance further underscores this rich tradition where art seamlessly transcends religious boundaries.
Image for illustration purposes only
📰 Source: Mangalore Today